Nota Turk (mekanikal)

  1. See SCHAFFER, Simon (1999), "Enlightened Automata", in Clark et al. (Eds), The Sciences in Enlightened Europe, Chicago and London, The University of Chicago Press, pp. 126-165.
  2. 1 2 Ricky Jay, "The Automaton Chess Player, the Invisible Girl, and the Telephone," Jay's Journal of Anomalies, vol. 4 no. 4, 2000.
  3. Edgar Allan Poe, "Maelzel's Chess-Player," Southern Literary Journal, April 1836; available on the internet via the Edgar Allan Poe Society of Baltimore, Maryland, URL accessed 19 December 2006.
  4. Karl Gottlieb von Windisch, Briefe über den Schachspieler von Kempelen nebst drey Kupferstichen die diese berühmte Maschine vorstellen, or Inanimate Reason; or, A Circumstantial Account of that Astonishing Piece of Mechanism, M. de Kempelen's Chess-Player, Now Exhibiting at No. 9 Savile-Row, Burlington Gardens (London, 1784); translation taken from Levitt.
  5. Stephen Patrick Rice, Minding the Machine: Languages of Class in Early Industrial America (Berkeley, University of California Press, 2004), 12.
  6. Tom Standage, The Turk: The Life and Times of the Famous Eighteenth-Century Chess-Playing Machine (New York: Walker, 2002), 22–23.
  7. The dimensions from Jay's Journal, which expresses them to the nearest half-foot. Metric versions thus can only be precise to the nearest multiple of fifteen centimetres. If we conventionally round to the closest multiple of five centimetres, the cabinet was very roughly 110×60×75 cm and the chessboard very roughly 50 cm square.
  8. Standage, 24.
  9. Standage, 88
  10. Standage, 24–27.